{
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  "dek": "Written by Sheng-mei Ma. In Part I of the article, the author examines how the film Detention (2019), through a return to Taiwan’s White Terror, exposes unresolved tensions among Chineseness, Taiwaneseness, and Japanese colonial legacies. Through Fang’s mixed family, religious practices, and betrayal of the banned Stud",
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      "title": "Detention (2019): Displacing Millennial, Nipponophiliac Taiwan’s Red Scare onto Mid-Century White Terror Part I",
      "url": "https://taiwaninsight.org/2026/10/19/detention-2019-displacing-millennial-nipponophiliac-taiwans-red-scare-onto-mid-century-white-terror-part-i/",
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